It will have a limited release in the U.S. rights to Les Miserables for reportedly $1.5 million after its premiere at the Cannes Film Festival in May. On French TV, Ladj Ly was happy to hear Macron had seen his film, as the director considers his film a wake-up call addressed to politicians who are largely responsible for the situation in the suburbs.Īmazon Studios acquired the U.S.
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French President Emmanuel Macron was reportedly touched by the film and has asked his government to find ways of improving living conditions in the suburbs. The film received immediate critical acclaim upon its release in France on November 20. With tension in the air and the police on constant surveillance, it’s not. Based on real events, La Haine focuses on three friends over the course of one day in the housing projects of suburban Paris in the aftermath of a riot. Ly made a short film about this, Les Misérables, which he then extended into his first feature film. With Vincent Cassel, Hubert Koundé, Saïd Taghmaoui. In 2008, he filmed police misconduct-just like the local boy with the drone in the film-and posted the footage online, that led to the suspension of the police officers. He went on to direct short documentary films under the collective Kourtrajmé, witnessing the Paris riots of 2005. Ly started his career as a filmmaker with videos of the police interacting with the young people of his neighborhood, Montfermeil itself, the same Parisian suburb where he grew up and still lives. The story of Les Misérables has its base within director Ladj Ly’s own experience of witnessing police misconduct. Ladj Ly’s film is about the social and racial tensions that exist in France. Much like Lee’s film, Les Misérables is anchored in the social and historical context of its location. The film builds an incredible tension that erupts in its final burst of violence in quite a similar way as Spike Lee’s Do the Right Thing. This documentary style makes sense as Ladj Ly was first a documentary filmmaker, and his latest feature film is derived from one of his short documentaries.
#La haine trailer series
If you’ve been immersed in the police atmosphere of Canal Plus’ series Engrenages ( Spiral is the English title), the style in Les Misérables isn’t too far off. Directed by Mathieu Kassovitz 1995 France Mathieu Kassovitz took the film world by storm with LA HAINE, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris's outskirts.
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Ly’s film has a documentary feel, in which the camera follows the action close to its protagonists. Aside from being both set in a Parisian suburb, La Haine and Les Misérables are two very different films stylistically. The last French film about the Parisian suburbs that has had such an impact was Mathieu Kassovitz’s La Haine (1995). It was deemed by the revered French film journal, the Cahiers du cinéma, as the film France had been waiting for for the past 20 years. The film won the Prix du Jury at the Cannes Film Festival this year, and was just awarded the European Discovery: Prix Fipresci at the European Film Awards in Berlin this weekend. Ladj Ly’s remarkable film follows three policemen in a Parisian suburb. Ladj Ly’s Les Misérables is not a musical nor a filmic adaptation of the French novel bearing the same title.
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If you are expecting Les Misérables to be yet another adaptation of Victor Hugo’s novel, you would be greatly mistaken.